When it came to crafting Feud: Bette and Joan’s retro-perfect rendition of Hollywood circa 1962, down to the most exacting detail – from Joan Crawford’s plastic-covered furniture, to Bette Davis’ Yankee tchotchkes, to a glittering Academy Awards ceremony – no one was better suited for time traveling than production designer Judy Becker.
Having worked on high-profile features like Brokeback Mountain, The Fighter, Silver Linings Playbook and Joy, Becker has become known for her spot-on recreations of very particular places and times in the 20th Century, most memorably the gritty/glam ‘70s-era New York City of American Hustle, the glossy 1950s backdrops of Carol, and her first jaunt into the realities and faux-realities of early ‘60s Tinseltown with Hitchock. Read more...
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